Named a "favorite music book of 2012" by the Future of Music Coalition.

As the battle rages over piracy, copyright, and the future of the Internet, which group argues on the right side of history? Searching for the truth, Freeloading roams the spunky streets of Brooklyn to glean real world consequences of digitization for today's musicians, indie record labels and fans; then re-evaluates the pivotal controversies and ideas that have long dominated file-sharing debates, with a keen eye for practical solutions.

Freeloading ranges from Napster to the SOPA blackout; Marshall McLuhan to Adam Smith; and the pitfalls of social media to how corporate patronage of "indie" music spread as record sales sunk. It takes a critical, cool look at a near-pervasive phenomenon that involves almost everyone who taps a keyboard: beyond that, it's a reminder of the truism that for every action there are consequences. What happens when we pirate a favorite work of art—a song, book, or movie? And as importantly: what, if anything, can or should be done about it?

Internet piracy has created unlikely allies. On the one hand, there are original creators of content, including artists and corporate copyright holders-on the other, legions of freespirited consumers who see themselves in the hacker/OWS tradition.

Author Chris Ruen, himself a former dedicated freeloader, came to understand how illegal downloads can threaten an entire artistic community after spending time with successful Brooklyn bands who had yet to make a significant profit on their popular music. The product of innumerable late-night, caffeine-fueled conversations and interviews with contemporary musicians such as Craig Finn of The Hold Steady, Ira Wolf Tuton of Yeasayer, and Kyp Malone of TV on the Radio, Freeloading not only dissects this ongoing battle—casting a critical eye on the famous SOPA protests and the attendant rhetoric—but proposes concise, practical solutions that provide protection to artists and consumers alike.

"A wonderful book that catches an encouraging shift in the zeitgeist. Ruen's epiphany regarding the effects of his own piracy and freeloading of the bands he loves was eye opening." - David Byrne, musician and author, How Music Works

"The original slacker's dream of free everything may have been realized by the Internet—but along with it came the slacker's nightmare of never getting paid for one's creativity. Freeloading seeks—and to a large extent succeeds—to wrestle with the collapse of the commons and the possibilities for a renewed social contract." - Douglas Rushkoff, media theorist, author of Life, Inc. and Program or Be Programmed

"With a critic's eye and a music fan's passion, Ruen shows how piracy affects artists and lays bare the corporate agendas on both sides of the debate. An essential read for anyone worried about how artists will survive in the online age." - Robert Levine, author of Free Ride: How Digital Parasites are Destroying the Culture Business, and How the Culture Business Can Fight Back

Named a "favorite music book of 2012" by the Future of Music Coalition.

As the battle rages over piracy, copyright, and the future of the Internet, which group argues on the right side of history? Searching for the truth, Freeloading roams the spunky streets of Brooklyn to glean real world consequences of digitization for today's musicians, indie record labels and fans; then re-evaluates the pivotal controversies and ideas that have long dominated file-sharing debates, with a keen eye for practical solutions.

Freeloading ranges from Napster to the SOPA blackout; Marshall McLuhan to Adam Smith; and the pitfalls of social media to how corporate patronage of "indie" music spread as record sales sunk. It takes a critical, cool look at a near-pervasive phenomenon that involves almost everyone who taps a keyboard: beyond that, it's a reminder of the truism that for every action there are consequences. What happens when we pirate a favorite work of art—a song, book, or movie? And as importantly: what, if anything, can or should be done about it?

Internet piracy has created unlikely allies. On the one hand, there are original creators of content, including artists and corporate copyright holders-on the other, legions of freespirited consumers who see themselves in the hacker/OWS tradition.

Author Chris Ruen, himself a former dedicated freeloader, came to understand how illegal downloads can threaten an entire artistic community after spending time with successful Brooklyn bands who had yet to make a significant profit on their popular music. The product of innumerable late-night, caffeine-fueled conversations and interviews with contemporary musicians such as Craig Finn of The Hold Steady, Ira Wolf Tuton of Yeasayer, and Kyp Malone of TV on the Radio, Freeloading not only dissects this ongoing battle—casting a critical eye on the famous SOPA protests and the attendant rhetoric—but proposes concise, practical solutions that provide protection to artists and consumers alike.

"A wonderful book that catches an encouraging shift in the zeitgeist. Ruen's epiphany regarding the effects of his own piracy and freeloading of the bands he loves was eye opening." - David Byrne, musician and author, How Music Works

"The original slacker's dream of free everything may have been realized by the Internet—but along with it came the slacker's nightmare of never getting paid for one's creativity. Freeloading seeks—and to a large extent succeeds—to wrestle with the collapse of the commons and the possibilities for a renewed social contract." - Douglas Rushkoff, media theorist, author of Life, Inc. and Program or Be Programmed

"With a critic's eye and a music fan's passion, Ruen shows how piracy affects artists and lays bare the corporate agendas on both sides of the debate. An essential read for anyone worried about how artists will survive in the online age." - Robert Levine, author of Free Ride: How Digital Parasites are Destroying the Culture Business, and How the Culture Business Can Fight Back