Open House
“A writer who has managed, willfully and even perversely, to remain his own man while offering his generous vision and versions of America.”
—The Rea Award for the Short Story“One of the most original and exciting writers around.”
—Edwidge Danticatabout the bookabout
One hundred floors above Manhattan, a diverse group of guests and gate-crashers come together in a luxurious penthouse. The down-and-out blend seamlessly with the well-to-do. Scammers find themselves the target of a con so twisted that by the time they begin to figure it out it’s too late to extract themselves. But what’s the occasion? Is it a party? A religious congregation? A real estate listing? Or is there something else going on?
For over half a century, Robert Coover has been one of the most inventive and unpredictable writers in the American academy. Long heralded for his commitment to formal as well as technological innovation, with Open House, Coover reminds readers that his work is as steeped in literary history as it is forward-thinking experimentation. This tension—between old and new, between a romanticized past and a future we only pretend we can predict—animates Coover’s latest metafiction, where narrative is at once the point and so beside the point that it calls into question all the myths by which we organize our lives.
From Evergreen Review Books, an imprint of OR Books
“Relentless experimentalism, combined with a sly and often bawdy humour. . . [Coover is a] writer's writer, a hero to those who feel smothered by the marshmallowy welter of pseudo-literary romance that dominates contemporary fiction.”
—The Guardian
About The Author / Editor
Preview
“This party reminds me of the old high school bio-lab experiments,” rumbles a bald skinny man with a jutting bewhiskered chin, squinting through cracked bifocals. I have no idea what he means. We must have attended different high schools. When a husky young woman in bluejeans adds, “Right, with booze as the chemical trail,” I’m utterly lost. I know what booze is, but science was always my worst subject. I never knew what to say when called on by the teacher. Once, in a shameful moment, I even soiled my panties in the chemistry lab out of sheer terror with the teacher staring straight at me. Mortification was what science was mostly about for me.
Two boys wearing wide-brimmed cowboy hats chase a squealing girl through the crowd, in one door and out another. Some kind of party game probably, they are all three laughing crazily, the boys barking like dogs, the girl screaming something in a foreign language like something has gotten into her panties. There was a day when I might have joined in the fun, but now even thinking about running gives me palpitations. It’s all about that, isn’t it? Knowing your limits. Then doing what you can with what you’ve been given. I often say the wrong thing and do the wrong thing, but one thing I’ve been given is that, underneath it all, I am a nice person and I like other people who are also nice.
The crowd’s on the move again and I move along with them into the next room, having little choice. When I was in this room a little while ago, I saw a gentleman who seemed to be the host of this party, a nice man who was patient with fat dummies like me, though I understand he may have sold his apartment tonight to someone who is not so nice. I’m not sure how I understand that, but the how’s not important, only the understanding is, and maybe that’s not important either. The nice man was graciously asking everybody how they learned about the party, but I had forgotten, if I ever knew, so I told him instead that I simply adored the fantastic musicians. He winced like he was suffering sudden gas pains and pushed away to the next room. Oh dear. All I want really, having tiny little hopes but no expectations, is the opportunity to meet nice people, and, even if this wonderful apartment is no longer his, I would be happy to be of service to him in any way he wants.
The not-so-nice man with the nose ring who is said to be the new owner comes over now with two rough-looking fellows and slaps my behind, rather too hard, shouting at me that I have a grand patootie. I don’t know what a patootie is, but I can guess. “Are you a nice person?” I ask him. He makes a sour face and moves on, his friends following, toward a little cluster of young girls with smaller patooties. “Don’t go away, I love to be spanked,” I call after him, even though there’s nothing I like less; I’m only sorry if I hurt his feelings. But he’s gone, without looking back, and his friends, too. I’m so clumsy, and now it’s say la vee all over again. The young girls are tittering (laughing at me?) with their hands over their mouths as though afraid they might have bad breath.
in the media
Open House
“A writer who has managed, willfully and even perversely, to remain his own man while offering his generous vision and versions of America.”
—The Rea Award for the Short Story“One of the most original and exciting writers around.”
—Edwidge Danticatabout the bookabout
One hundred floors above Manhattan, a diverse group of guests and gate-crashers come together in a luxurious penthouse. The down-and-out blend seamlessly with the well-to-do. Scammers find themselves the target of a con so twisted that by the time they begin to figure it out it’s too late to extract themselves. But what’s the occasion? Is it a party? A religious congregation? A real estate listing? Or is there something else going on?
For over half a century, Robert Coover has been one of the most inventive and unpredictable writers in the American academy. Long heralded for his commitment to formal as well as technological innovation, with Open House, Coover reminds readers that his work is as steeped in literary history as it is forward-thinking experimentation. This tension—between old and new, between a romanticized past and a future we only pretend we can predict—animates Coover’s latest metafiction, where narrative is at once the point and so beside the point that it calls into question all the myths by which we organize our lives.
From Evergreen Review Books, an imprint of OR Books
“Relentless experimentalism, combined with a sly and often bawdy humour. . . [Coover is a] writer's writer, a hero to those who feel smothered by the marshmallowy welter of pseudo-literary romance that dominates contemporary fiction.”
—The Guardian
About The Author / Editor
Preview
“This party reminds me of the old high school bio-lab experiments,” rumbles a bald skinny man with a jutting bewhiskered chin, squinting through cracked bifocals. I have no idea what he means. We must have attended different high schools. When a husky young woman in bluejeans adds, “Right, with booze as the chemical trail,” I’m utterly lost. I know what booze is, but science was always my worst subject. I never knew what to say when called on by the teacher. Once, in a shameful moment, I even soiled my panties in the chemistry lab out of sheer terror with the teacher staring straight at me. Mortification was what science was mostly about for me.
Two boys wearing wide-brimmed cowboy hats chase a squealing girl through the crowd, in one door and out another. Some kind of party game probably, they are all three laughing crazily, the boys barking like dogs, the girl screaming something in a foreign language like something has gotten into her panties. There was a day when I might have joined in the fun, but now even thinking about running gives me palpitations. It’s all about that, isn’t it? Knowing your limits. Then doing what you can with what you’ve been given. I often say the wrong thing and do the wrong thing, but one thing I’ve been given is that, underneath it all, I am a nice person and I like other people who are also nice.
The crowd’s on the move again and I move along with them into the next room, having little choice. When I was in this room a little while ago, I saw a gentleman who seemed to be the host of this party, a nice man who was patient with fat dummies like me, though I understand he may have sold his apartment tonight to someone who is not so nice. I’m not sure how I understand that, but the how’s not important, only the understanding is, and maybe that’s not important either. The nice man was graciously asking everybody how they learned about the party, but I had forgotten, if I ever knew, so I told him instead that I simply adored the fantastic musicians. He winced like he was suffering sudden gas pains and pushed away to the next room. Oh dear. All I want really, having tiny little hopes but no expectations, is the opportunity to meet nice people, and, even if this wonderful apartment is no longer his, I would be happy to be of service to him in any way he wants.
The not-so-nice man with the nose ring who is said to be the new owner comes over now with two rough-looking fellows and slaps my behind, rather too hard, shouting at me that I have a grand patootie. I don’t know what a patootie is, but I can guess. “Are you a nice person?” I ask him. He makes a sour face and moves on, his friends following, toward a little cluster of young girls with smaller patooties. “Don’t go away, I love to be spanked,” I call after him, even though there’s nothing I like less; I’m only sorry if I hurt his feelings. But he’s gone, without looking back, and his friends, too. I’m so clumsy, and now it’s say la vee all over again. The young girls are tittering (laughing at me?) with their hands over their mouths as though afraid they might have bad breath.